Picasso addressing Malraux - minister of culture - :
" You know the Chinese proverbs, you, the chinese.
There is one what says what said of better on the painting:
You should not imitate the life, it is necessary to work as her. "
Surrounded for a long time with highly geological places,
historic and prehistoric among which rock faces and the cliffs of
clay let appear the flow of time and the human and telluric
plasticity (toward earth sediments and the origin of writing), Nathalie Laemlé is
sensitive to the peculiarity of the track, the passage of past in
present, in the phenomenon of the plasticity in its scale
philosophic.
The fragile intervening period of the track marks a movement
permanent employee in the chronology of the history of the
humanity and in that of the individual, an apprehension of the
life with an acceptance of the mourning of the disappearance of
moment, acceptance of the porous harshness of the existence.
The perpetual plasticity of the human being in the time
involve an overtaking of the demolition of moment, an opening
towards the potentialities of the revival, body and the spirit
remodels, taking into account chances of the existence and of
their basic structure, as well as telluric and organic plasticity of
the nature.